Echo Beyond Time: The Traditional and The Modern

   The special exhibition, ˇ°Echo Beyond Time: The Traditional and The Modern,ˇ± by suggesting a harmonious meeting transcending time between traditional artifacts and modern art, represents an expression of the will to rediscover the traditional aesthetics that remain unbroken in the various trends in modern art, and to carry on such tradition in contemporary times. This requires a step away from the standardized roles of a museum as preserver and researcher of traditional artifacts, and constitutes an attempt to become a center for social education, a leader of youth culture, and to present a model for university museums. By connecting traditional and modern currents, this exhibition will serve as an opportunity to confirm the identity of Ewha Womans University Museum, which has long maintained the particular character of simultaneously serving as both museum and art gallery.

This exhibition, with its theme of searching for traditional aesthetics in modern art, is composed of the three sub-themes of figure, material, and brushstroke. In terms of individual subjects, materials, and techniques, this exhibition is particular in that it presents the substance and form of both modern artworks and traditional artifacts from each of the sub-themes. Beginning with those deceased artists who left their bold brushstrokes on the history of Korean modern art such as Whan Ki Kim, Park Soo-Kyun, and Ungno Lee, going through established artists who have long inquired into the problem of modern interpretations of the traditional such as Suh Seok and Kwon Young Woo, and including young artists who bring fresh interpretations of traditional beauty such as You-Sun Kim and Ki chang Han, this exhibition transcends both gender and generation.

In total, it presents the works of over 40 artists, together with over 30 examples of traditional art from various genres including landscape painting, calligraphy, ceramics, wooden handicrafts, and clothing.

By combining traditional artifacts with modern art, ˇ°Echo Beyond Time: The Traditional and The Modernˇ± bridges the gap of time and presents the profundity of art as resonating across historical boundaries. By ruminating upon those vestiges of tradition that live and breathe in modern art in the form of artifacts that transcend genre, this exhibition has its true significance in breaking out of such time and genre-bound categories as pure, applied, and everyday art, or traditional and modern art, and attempting to provide an opportunity for serious reflection on the artistic attainments and aesthetic tastes that exist in every human being.



Period : 2005. 5.31 - 2005. 7. 30

Academic Symposium : June 3, 2005 (Fri) 12 :30 - 5 :00
"The Problem of Tradition in Korean Modern and Contemporary Art" 

Experiencing Traditional Art Materials : June 25, 2005 (Sat) 2 :00 -5 : 00
Program: Special lectures by contemporary artists who use traditional art materials and an introduction to and experience of such materials.